The Bloodbath
Sept 16, 2020 2:40:29 GMT -5
Post by shrimp on Sept 16, 2020 2:40:29 GMT -5
張水銀
séui ngàhn cheung
"Nah, we live towards the center. Fam runs a restaurant." And the corner store, whose inventory he would sort once a week and try to restock in between rush hours, with a cash register that had the shittiest buttons and the coldest fridge money couldn't buy, with the soft hum of the fluorescents and the sound of an eraser scribbling on paper and the tart tang of fruit chews.séui ngàhn cheung
He wishes it wasn't, but his first reaction to Paloma is to wonder: Why? What was the point? He wants to live, and singing songs wouldn't stop a Keeper's gun, but would striking someone else down make it any better? What do these Victors have now after living through a massacre? Is it worth it to attempt to join them, even though the odds are slim? Even though all that murder may result in the same situation, or worse?
And while she is from home, is home still Home when he may never return?
He thinks back to that long train ride; his stomach had dropped far beneath the ground, sinking into the core of the earth. He'd wished that he could have a bowl of jūk1 to settle the acid, but the only thing they'd given him to eat was a cracked cup of water and nearly expired rations. So instead, rubbing his gut, he'd looked outside as they passed by signage: Eight, then Five, then Four. A logo of Panem. The crumbling facade of a ruin.
His family has dispersed: Hēi Tóu forever in One, his Ye Ye2 and Yin Yin3 retired in Two, his parents and his siblings surviving in Ten. But he is not going to his grandparents' house. He is not going to Hēi Tóu's grave. He is going to his own.
"You look like shit," Mario chimes, and the words ring loud.
Séui Ngàhn laughs. "I look ten times better than you, man."
They, Mario and Coal and Paloma and Drifter, coalesce in an almost organic way. It's like gravitating towards people whose names you know but not their stories at an orientation, or a new lunch period. And yet it stems from a speech to prepare for your doom, and the decision to flip off the crowd and not start a war, and from the overwhelming presence of death. Underneath the bravado there is a current of dialogue. Do you have my back? Do I have yours? What will happen when the world breaks into twenty-four?
“We’re still here!” Mario stabs and strikes the air, parrying with the crowd. "You had four years and what has it got you? Motherfuckerrrrrrrssss! You can try to make us hate each other, but we’re always going to hate you! You mad?!”
It's a cue.
Séui Ngàhn hears a noise that he thought would only echo through speakers at a drive-in movie theater, or even on the ancient television that sat in their living room. But it's different. Visceral. He turns.
Yes, Mario. "They're mad. Oh, fu-"
The lion lumbers, then leaps directly towards him.
Séui Ngàhn ducks and moves to shield his face as it swipes its claws through where his head would have been just a moment ago. But even if he was in his dancing prime, or had the energy to stretch before the beginning of the show, nothing would have prepared him for this. The lion rakes through his arm like a circular saw making the first inroads into metal, and he yelps as he rolls. But before he has a chance to strategize and catch his breath, the lion is replaced by two more animals: another feline, orange with spots, but not a lepoard nor a tiger because he's taken at least one biology course; and a hyena with an intimidating collar latched around its neck.
Move, he tells himself, and scrambles backwards like a crab, crawling as Drifter turns and--like a scene from a movie--halts the big cat's attack like a god damn show-off. It would be impressive if the whole situation wasn't absolutely terrifying. Is this guy from Five? He doesn't seem the type, but Séui Ngàhn would be lying if he said he knew what someone from Five was even lik-
There is a looming presence to the right, and there is only time to roll again as the lion returns, pouncing, eager to maim him for whatever reason lions have to maim. They didn't even teach accounting in school, let alone the reason lions have for attacking people. And what little Fó Gwōng let slip about the rebellion was never about guerrilla warfare against muttations; it was vandalism and subterfuge, justice wrapped up in fury.
He knows there's no escaping this. He knows he's going to die, and this lion will rip him to pieces, and god he hopes his parents are able to turn off the television in time before-
"STOP RUINING EVERYTHING!"
It's gone.
As Séui Ngàhn pushes himself to his feet as fast as he can, there is another tribute lashing out at the lion with their sword. And then another who moves to punch it. And then a third, who slices at the other cat. And then a fourth. For whatever reason they have to fight, it's given him an opportunity. But what now?
The rest of the troupe has one idea. Coal lunges. "Yall with me? Lets give them hell."
It's stupid. It's reckless. It's going to get them all killed. But he shakes his head, and mutters as he reaches down for his own sword. "Yuht kùhng yuht gin gwái4..."
There is a tribute who saved his life. He owes them a debt. It must be repaid.
[attacks Grimsby | sword]
saxJfkVX8_sword
[1195 -- Shallow Cut on Right Forearm -- 3.5 damage
(Sword)]
saxJfkVX8_sword
[1195 -- Shallow Cut on Right Forearm -- 3.5 damage
(Sword)]
1: 粥; congee (rice porridge)
2: 爺爺; paternal grandfather
3: paternal grandmother (Toishanese dialect)
4: 越窮越見鬼; "when one is in bad luck it just seems to get worse"
[is attacked by a lion (twice), is indirectly saved by Sage, attacks the lion]
sword