//(hearts) of iron, (minds) of steel// [Lalia]
Jun 28, 2011 3:30:29 GMT -5
Post by sadniss everdeen on Jun 28, 2011 3:30:29 GMT -5
Jessalyn Colbier
♫ We would be so less fragile if we were made of metal ♫
~:~ 914493 ~:~ Can't you just watch me? It's so much easier to understand.
~:~ 469344 ~:~ I have a mind, I swear. It's all hidden away up here.
~:~ 936944 ~:~ It's okay if it doesn't look like I understand, because I do.
~:~ 446D93 ~:~ Without music I can't breathe, but it's so hard to make my own.
and you want three wishes
one to fly the heavens
one to swim like fishes [/size][/font]
[/blockquote][/color]
"Jessa, I'm going to go out tonight."
It's nothing new - you furrow your brows in incomprehension and glance up to meet a face worrying a bottom lip and cloudy blue eyes watchwatchwatching like you're going to flail stop breakdown any second now - like you're some fragile broken thing and you hate that because Lydia knows better. You're strong and delicate all at once and it's that careful balance that keeps you here and okay in this world where everything is just a little bit too bright to bear. "Why?" Blunt and to the point - you are still getting used how to dance around one another, not used to this invisible distance that aches painfully in the center of your chest. Her face draws into identical lines while gathering her things and slipping into different shoes; you curl up just a little bit tighter on her bed once you realize that you bought them with her a little while ago. "Because this is the only day that Zane can go out."
She must see the change of expression on your face (you were never one to learn how to stick to pleasant neutrality - you are a canvas waiting to be sullied by the mistakes of others) but choose not to comment on it; you feel like your world is slowly being taken away because for all aspects and purposes Lydia is your world and he is dragging her back into the deeper dark that you can't enter. "But you promised." Lydia sighs (out of guilt or exasperation, you can never tell) and turns, nodding slightly but continues searching around for her various pieces of attire.
"I know, Jess. I'm really really sorry. Maybe I can make it up to you tomorrow?" You crave change but some things stay the same and you adhere to vague schedule like you can't let it go. She relies on that and forgets that you had to learn how to stand up on your own in those months that she slept and instead shake your head stubbornly, getting up to pace along with the energy that burns a hole inside your chest. "No! You said tonight. It's not fair. I was here first!" And it doesn't a genius to figure out the hidden meaning that carries more weight than perhaps it should, watching her cringe and fall back but don the stance that always reminds you of a soldier bracing for battle, clinging onto the very ideals that keep him alive. She loveloveloves him too much to give up but doesn't know what to do in the face of your anger - the Jessa she used to know was complacent and confused and entirely concave but this Jessa (should you even be called that anymore? you're so much more and just a bit less that you don't know where you stand) expands and fills the whole room with emotions she didn't even know you possessed. She can't do this it's not fair and it's by that single ideal that you won't give up give in give out.
"I know, sweetheart. I'll make it up to you, I promise." Tonight it isn't enough and the crawling feeling in your flesh amplifies as you throw out words that shouldn't even make sense but do because you're just so tired of not being able to say what your body knows and goes with what feels best. The tone of voice she uses is entirely too reminiscent of the doctors and nurses that look downdowndown and she knows how much you hate that so you flee from (all your problems and fears and hopes) her in hopes of being able to rub the bitter aftertaste from your skin.
I'm your friend, not your child. You think and judging by the sharp intake of breath it was translated into the open air. For a moment you want to murmur I'm sorry and I didn't mean it can we be okay now? but there's this burning need to run flee escape that has seized you and won't let go.
By the time you lace up your running shoes she's watching you with eyes that are curious and hurt and sad, weighing all the responses on her tongue and shifting when she can't find the right one. "Where are you going?"
A wry smile twists your lips, relishing the rare occasion where you can understand the irony.
"I'm going out tonight."
And so you go.
(sometimes i just can't. everything is so loud and shiny and new that it hurts my head and my heart too but i can't fix it.)
You are out the door with the night air licking paths along your skin moments after you straighten out, breaking out into a sprint that lets you go and go and go and leave everything else behind. From a young age you realized that you had to walk ever so slowly or else the world would zoom by and you'd be so utterly lost in world you can never comprehend. People make life more complicated than it is (you focus on the good things like living and love and movement because the rest is simply optional) and slows down the tilt of the Earth, but it keeps on spinning for you until your feet grow clumsy and heavy and unable to keep up with the beat. You've always been so very proud of your endurance and the ability to keep up with the loping stride for hours on end as you acquire shin splits and cramps that you welcome as old friends - it keeps you here and anchored and far away from the deathly quiet world of shadows and darkness that lurks beyond.
Some woman hums quietly in your ears about wishes and metal and you fly with her, wishing desperately for a voice that will never appear. All these things you want so hard to say will forever remain in the pit of your stomach and that's okay, really, because your body always knows and feelings always wins over words because you can twist words until they are small and deformed and idle but touch and emotion will forever remain pure - even a twisted perversion of a once singular sentiment.
In some ways you love running even more than dancing because in the end the song has to finish but you can just keep going and going and the pavement never runs out and neither does the amount of steps you can take. Eventually everything morphs into a whispered blur and you can leave behind all of this (all your regrets and wants and fears) and become a different, better person.
(But you still cling onto that one little bit of yourself and build back up from pseudo-nothingness, never truly knowing how to let go.)
Buildings whip by at sonic speed and you're still sprinting and your lungs are burning and your throat is on fire; that's fine because you're never planning on stopping and speaking ever again. A vicious cramp starts up in your calf and you welcome it like an old friend, smiling against the sweat that stains your face and the ache and release of a body learning how to live again because it all feels so shinybright and muted at once that you can lose yourself in the feeling of breathing and living and not have to think about anything complicated like blondes and boys with angry eyes and smiles that makes you want to curl up somewhere quiet and rock back and forth back and forth. You hate him so much and not at all; all these conflicting feelings rise up and drown you (you've never felt anything this strong before and it /scares/ you - life is usually through the haze of a curtain that you can never draw back).
Breath whistles through your teeth and you slow your pace a fraction so you don't burn and crash before the night has even begun; a still suicidal pace to others but a comfortable rhythm to you. Now it's not about running away from your past but more fighting for the future, scoping out new places and possibilities and people to be. You think about inviting somebody home but the blind slap of feet on pavement gently pulls the thought from your mind until it is nothing but a distant memory that will be erased with all the rest. In time you will outrun all the people that watch and judge and your own mind that traps you within the brightwhite walls but for now you relish the anonymity of not being able to know your own name.
(we're all trapped and hidden and twisted but i've learned how to untangle myself for the briefest of moments and just be.)
When your lungs expand and send searing pangs all throughout your chest you know you should stop but can't - your pace slows so you force yourself to speed up again, taking noisy inhales and putting too much effort to just keep going keep going keep going because you can't stop now then you'll remember everything and remembering hurts. You slow down some more and that's not right because Jessa runs fast so you kick up with a sharper dig of heel, begging your muscles to just let you go for a little bit more, just a tiny bit longer but you're on your fourth wind and can't fucking stop won't ever stop. That's the point of (anything) everything you've ever done.
Your body impacts something hard and rough - if you took enough time you'd notice the air tastes different. Softer, somehow. Safer. You droop around the object and struggle to sort yourself out from the sudden detachment from your muscles and bones. Get up. And really, you would, but you're knotted and paralyzed and slumped almost motionless against the gentle ground and and there's no way you can even think, let alone move anytime soon.
(You can't keep running anymore just like you can't ever remember everything, but you forget everything you can eventually remember; you're torn on which is worse.)
[OOC: I don't even know what this monstrosity is. She kept rambling and wouldn't stop. Maybe because it's 4 30 in the morning, but I really don't even know. Yay if you can find anything out of that!]