All That Is [Left] Us // (Shrimp)
Jan 13, 2012 0:29:17 GMT -5
Post by L△LIA on Jan 13, 2012 0:29:17 GMT -5
[/i][/color][/center]( C A L L I O P E L O R N E B L O O M )
Well it's been a long time
Long time now
Since I've seen you smile
And I'll gamble away my fright
And I'll gamble away my time
It's the small things that tap me on the shoulder, sending me reminders in the middle of the night.
Trailing fingers across the hallway wall, I listen to the floorboards creak beneath my careful footsteps as I walk to the kitchen in the dark for a glass of water, determined to hold onto the haze of sleep that's tugging lazily at my eyelids. It's so quiet. The world pauses as I pull myself up short and hold my breath with a sudden gasp. Fingers splayed over the peeling paint, I press my palm into the steadiness of the decaying surface as all the muscles in my hand contract with a simultaneous push and pull, as if —
—as if he's hiding in the walls and all I have to do is find the hidden door. The hardest part is that there's some truth in that. Although I'll never again hear the muffled buzz of my brother's snoring as I pass by his bedroom door, the memory of it is so much louder. Few things have been more difficult to deal with than the change in sound after the world's softest somethings were transformed into the most deafening nothings of my life.
It's the vacancies that bother me most, all the little blank spots peppering my days that send my mind skipping and jumping, looking for ways to patch the pieces up into something akin to sense. If this were a story, written down into something I could read without bias, there would be words that went missing with him, leaving scatterings of empty places that make it difficult to read. Maybe Aesop wasn't always the key words, but even then, he was still the connecting ones. And, of, to, for, as — like those simple words, he had his own way of making everything a little easier.
Breath hitching in my throat and sleep forgotten, I sprint into the kitchen, heavy footsteps booming through the silence. I'm greedy with the water, as if it could wash my thoughts away like drowning: devastating and merciless. I know it doesn't work that way, but I can't stop myself from trying, cup clenched in the grip of both my hands as my teeth gnaw anxiously at the plastic rim, my mind wandering from the task at hand. Sometimes the dark makes it easier. When I can't see reality, it's almost like he's here... or maybe I'm there, because reality was never his home. Darkness can be a gateway or just a gate, dense and oppressing as it keeps me in and shuts me out all at once.
[/i][/color][/center]Trailing fingers across the hallway wall, I listen to the floorboards creak beneath my careful footsteps as I walk to the kitchen in the dark for a glass of water, determined to hold onto the haze of sleep that's tugging lazily at my eyelids. It's so quiet. The world pauses as I pull myself up short and hold my breath with a sudden gasp. Fingers splayed over the peeling paint, I press my palm into the steadiness of the decaying surface as all the muscles in my hand contract with a simultaneous push and pull, as if —
—as if he's hiding in the walls and all I have to do is find the hidden door. The hardest part is that there's some truth in that. Although I'll never again hear the muffled buzz of my brother's snoring as I pass by his bedroom door, the memory of it is so much louder. Few things have been more difficult to deal with than the change in sound after the world's softest somethings were transformed into the most deafening nothings of my life.
It's the vacancies that bother me most, all the little blank spots peppering my days that send my mind skipping and jumping, looking for ways to patch the pieces up into something akin to sense. If this were a story, written down into something I could read without bias, there would be words that went missing with him, leaving scatterings of empty places that make it difficult to read. Maybe Aesop wasn't always the key words, but even then, he was still the connecting ones. And, of, to, for, as — like those simple words, he had his own way of making everything a little easier.
Breath hitching in my throat and sleep forgotten, I sprint into the kitchen, heavy footsteps booming through the silence. I'm greedy with the water, as if it could wash my thoughts away like drowning: devastating and merciless. I know it doesn't work that way, but I can't stop myself from trying, cup clenched in the grip of both my hands as my teeth gnaw anxiously at the plastic rim, my mind wandering from the task at hand. Sometimes the dark makes it easier. When I can't see reality, it's almost like he's here... or maybe I'm there, because reality was never his home. Darkness can be a gateway or just a gate, dense and oppressing as it keeps me in and shuts me out all at once.
And in a year, a year or so
This will slip into the sea
Well it's been a long time
Long time now
Since I've seen you smile
This will slip into the sea
Well it's been a long time
Long time now
Since I've seen you smile
"Why am I the only one left?" The words leave my mouth with an accusational whisper as I stare at the walls that separate me from Napoleon and our father, and the air that divides Aesop, our mother, and I. There's a spark in my chest and it tells my insides to boil, tells me to hate my living
I hear the CRACK of the cup breaking before I feel it, battered plastic snapping pathetically in my frustrated hands with edges sharp enough to cut. Yelping from the pain, I hurl the offending object at the ground and clutch my wound to my chest, sucking air in through my teeth until I can't take anymore tonight.
I'm running again (one foot in front of the other; left right left right left right), only taking time to grab one of Aesop's old jackets from where it still hangs on a hook by the front door. Then I'm conquering more hallways and stairs, as though earning my freedom, until I break out from the suffocation of our apartment building and sprintcrashflee with a left right left right left right through the streets of District Six. I don't want the lights of the city, the evidence of people; I want the lights of ghosts, the evidence of... something in the nothing.
Slowly — steadily — the stars promise me that it's okay to slow down, to stop, to look and listen without being confronted with emptiness. Staring up at them, their light cuts through the scattered wisps of night-clouds, huddling around the moon like children. The breeze twists through my disheveled hair and I tug the cuffs of Aesop's jacket over my hands as I curl my arms around my chest for warmth. Suddenly aware of the old sweats and ratty shirt I'm outfitted in, a hapless laugh tumbles through me, because even if I weren't wearing Aesop's jacket, I'd still be dressed just like him.
The sound cuts away as the thought sets in with a sigh and I plop down on the grass and release myself to nature, limbs sprawled out and face turned to press my cheek into the dirty earth. "Star light, star bright, first star I see tonight," I'm not even looking at the sky, but with my eyes squeezed so tightly shut, the patterns of persistent light don't look so different, "I wish I may, I wish I might, have this wish I wish tonight." Before everything, I used to have a lot of wishes, more than any stars could ever hope to grant, but now I don't have much. I don't even know what I'm wishing for. Just... Watching the swirling trails of light move across the insides of my eyelids, I choose one and doggedly begin to follow it in infinite circles. Something. I remember that I always had something
Nobody raise your voices
Just another night in Nantes
Nobody raise your voices
Just another night in Nantes
[/i][/color][/center]Just another night in Nantes
Nobody raise your voices
Just another night in Nantes
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