the good, the bad, the { l o v e l y } // dars
Dec 26, 2013 23:58:29 GMT -5
Post by Stare on Dec 26, 2013 23:58:29 GMT -5
i'm frozen by the fear in me
somebody make me feel alive
and shatter me
somebody make me feel alive
and shatter me
T H E S E . G H O S T S .won’t stop haunting me.
Smile, Felicia. Smile. Yes, just like that. You’re going to be wonderful.
But how can I, when the girl who can tie herself into knots has so many scars and the boy who tames the beasts was almost snatched away from me?
Is it strange to fear love? To believe yourself a curse? I never used to be afraid. I was Felicia Vaine and I was outstanding because I would settle for nothing less. I danced with death and distorted terror. That was what had defined me as a person ever since I had left my parents and their inflated expectations in order to become the girl who faced the gaping jaws of her greatest fear and lived to tell the tale. I made crowds breathless by putting my life on the line, keeping them on the edge of their seats until the last possible moment. Off the stage I was a bright ball of energy best known among my fellow performers to cause mayhem with Breyer, but no one ever yelled at me for it and everyone was always understanding when I really messed up. The circuswas is my home, and it always will be. I don’t belong anywhere else.
But somehow the smiles feels so much more plastic now that I feel the Capitol’s noose around my neck, threatening to suffocate me if I dare defy them again. They rigged it. They must have. The couldn’t have me so they tried to take Breyer, and when they couldn’t have him they took Cricket. Cricket is still Cricket, of course, but now somehow she’s just a little bit different, if that makes any sense at all. Maybe that’s why I’ve distanced myself from all of them, more often going off on my own with Amber tucked beneath one arm. (At night I curl up into myself and wish for someone’s arms to be around me, to protect me. I can never have that kind of comfort, though. Loving me is like injecting poison into your own veins. I always end up killing you in the end.)
Even when I hated the smallshrinkingtiny spaces they put me into, I always loved to perform. I loved the fact that all eyes were on me, that I could shock and amaze and move entire crowds with a talent that comes so naturally to me.Of course, they wouldn’t be so impressed if they knew why, but that’s beside the point. Now, though, I’m only going through the motions. All I hear as I step out of my trap successfully for the gazillionth time is the frantic thump thump thump of my heart, and when I swoop down into a dramatic bow the cheering of the crowd sounds like the snarling of a beast. It’s worse today, for some reason, even as I smile cheerfully through the performances of Breyer, Apis, and Mac. When Cricket is up, however, I feel my smile fade despite all my best efforts, and I unconsciously drop back a step, avoiding the others’ questioning eyes.
Sometimes I look back on the day I was reaped and wonder what would have happened if I had gone in. Would I have had allies that became like family to me, as Destiny Lenstil had? Or would I have isolated myself and consequently been doomed from the start. Would I have lost my mind, as so many in those Games feared they would? Or would I have stayed sane until my final breath? Would I have won? I try imagine coming home, seeing my parents first thing when I got off the train, with all their wide smiles and open arms. And as much as I hate myself for it, I would have run to them. I would have cried for their acceptance, for their forgiveness, for their pride. Ripred, that’s all I ever wanted to do when I lived in that house. I wanted to make my parents proud.
And yet, I know that if I had died in those Games, they wouldn’t have mourned me. They wouldn’t have shed a single tear, just like the day I left. And that is what keeps me here, at the circus, with my true family. We’re freakish and outrageous and maybe a little bit crazy, but that’s okay, because in the end we’re closer friends than anyone else in District Two. That’s why it hurts, when one of us is torn away. That’s why I died inside when they forced Cricket into the Arena. That’s why my scars are reopened when I see her perform. But I remain where I stand, gritting my teeth and keeping my eyes on her.
“And now, ladies and gentlemen, I present Cricket Antoinette, victor of the 63rd Hunger Games!”
But that, that’s too much.
Without even realizing it, I turn on my heels and flee. It’s not unusual for me to do so these days. Still, I can feel the questioning eyes of my fellow performers as I race away from the show, away from Cricket, away from all the ghosts that still haunt me. I don’t know where I’m going, but I know I can’t be here, not now. It’s all overwhelming me, pushing and pulling and clashing within me like the tides I’ll never see, and I have to get away, away, awayawayaway -
I hit something. Hard. I only vaguely realize that it’s another person before I lose my balance and topple over, skidding against the ground. I lay there for a second, chest heaving, not quite realizing what’s happened, before gingerly picking myself back up and brushing the dirt out of my fresh cuts and glaring at the young man. I don’t care if he’s a paying spectator. I wouldn’t care if he was the bloody mayor. I’m an emotional wreck right now, and consequently I am merciless. “Oi! Why don’t you watch where you’re going, idiot?"
Smile, Felicia. Smile. Yes, just like that. You’re going to be wonderful.
But how can I, when the girl who can tie herself into knots has so many scars and the boy who tames the beasts was almost snatched away from me?
Is it strange to fear love? To believe yourself a curse? I never used to be afraid. I was Felicia Vaine and I was outstanding because I would settle for nothing less. I danced with death and distorted terror. That was what had defined me as a person ever since I had left my parents and their inflated expectations in order to become the girl who faced the gaping jaws of her greatest fear and lived to tell the tale. I made crowds breathless by putting my life on the line, keeping them on the edge of their seats until the last possible moment. Off the stage I was a bright ball of energy best known among my fellow performers to cause mayhem with Breyer, but no one ever yelled at me for it and everyone was always understanding when I really messed up. The circus
But somehow the smiles feels so much more plastic now that I feel the Capitol’s noose around my neck, threatening to suffocate me if I dare defy them again. They rigged it. They must have. The couldn’t have me so they tried to take Breyer, and when they couldn’t have him they took Cricket. Cricket is still Cricket, of course, but now somehow she’s just a little bit different, if that makes any sense at all. Maybe that’s why I’ve distanced myself from all of them, more often going off on my own with Amber tucked beneath one arm. (At night I curl up into myself and wish for someone’s arms to be around me, to protect me. I can never have that kind of comfort, though. Loving me is like injecting poison into your own veins. I always end up killing you in the end.)
Even when I hated the smallshrinkingtiny spaces they put me into, I always loved to perform. I loved the fact that all eyes were on me, that I could shock and amaze and move entire crowds with a talent that comes so naturally to me.
Sometimes I look back on the day I was reaped and wonder what would have happened if I had gone in. Would I have had allies that became like family to me, as Destiny Lenstil had? Or would I have isolated myself and consequently been doomed from the start. Would I have lost my mind, as so many in those Games feared they would? Or would I have stayed sane until my final breath? Would I have won? I try imagine coming home, seeing my parents first thing when I got off the train, with all their wide smiles and open arms. And as much as I hate myself for it, I would have run to them. I would have cried for their acceptance, for their forgiveness, for their pride. Ripred, that’s all I ever wanted to do when I lived in that house. I wanted to make my parents proud.
And yet, I know that if I had died in those Games, they wouldn’t have mourned me. They wouldn’t have shed a single tear, just like the day I left. And that is what keeps me here, at the circus, with my true family. We’re freakish and outrageous and maybe a little bit crazy, but that’s okay, because in the end we’re closer friends than anyone else in District Two. That’s why it hurts, when one of us is torn away. That’s why I died inside when they forced Cricket into the Arena. That’s why my scars are reopened when I see her perform. But I remain where I stand, gritting my teeth and keeping my eyes on her.
“And now, ladies and gentlemen, I present Cricket Antoinette, victor of the 63rd Hunger Games!”
But that, that’s too much.
Without even realizing it, I turn on my heels and flee. It’s not unusual for me to do so these days. Still, I can feel the questioning eyes of my fellow performers as I race away from the show, away from Cricket, away from all the ghosts that still haunt me. I don’t know where I’m going, but I know I can’t be here, not now. It’s all overwhelming me, pushing and pulling and clashing within me like the tides I’ll never see, and I have to get away, away, awayawayaway -
I hit something. Hard. I only vaguely realize that it’s another person before I lose my balance and topple over, skidding against the ground. I lay there for a second, chest heaving, not quite realizing what’s happened, before gingerly picking myself back up and brushing the dirt out of my fresh cuts and glaring at the young man. I don’t care if he’s a paying spectator. I wouldn’t care if he was the bloody mayor. I’m an emotional wreck right now, and consequently I am merciless. “Oi! Why don’t you watch where you’re going, idiot?"