sleep well beast // { lex + annie | vt }
Jan 17, 2019 21:17:03 GMT -5
Post by aya on Jan 17, 2019 21:17:03 GMT -5
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we leave our saviors wrapped around the necks of new machines
or at the ends of threads that hold their bodies to the ground
or at the ends of threads that hold their bodies to the ground
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It's not until Anatalia Morrisen is standing in her woodshop that it occurs to Lex just how many of her tools double as deadly weapons. When she thinks about that, it's a little bit funny: Lex Lionel earned her respectable 9 in part by prying out ribs and severing limbs with a hammer and saw — not to mention that she literally murdered a couple kids with hatchets that looked just like the hand axe hanging on the far wall. But in the context of the workshop, they were always tools of creation and not destruction.
Everywhere she looks sits another weapon: The copper gutter nails lying on her bench from the in-progress porch expansion, seven inches and begging to be driven through an unsuspecting throat, temple, eye socket. The table saw, capable of throwing wood hard enough to concuss or kill operators on accident — let alone thinking what the twenty-four teeth of its flat top grind blade would choose to make a meal out of, given a face pressed in its path. Drills and drivers, crowbars and chisels, awls, wrenches, rasps — hell, even the set square could do some damage slipped between the fourth and fifth ribs.
To the layperson, such a response might sound something like fear. After all, having a murderer of murderers poking through your workspace ought to make anyone nervous. Make no mistake: this isn't fear. The sentiment is closer to mild concern — specifically, mild concern that Lex's questionable grasp on impulse control might slip, that Annie might say the wrong thing, that old instincts might kick in. That she'll be hauled off to some detention center for hard labor or that her resurrection privileges will be revoked before dark.
"Lathe," she says, pointing out the larger shop fixtures. "Drill press. Router. Vise."
It's a strange worry. She and District Four-Fingers had plenty of times to trade blows when death was on the line but only ever swapped jokes. As far as other tributes went, Annie had been one of her favorites.
"Table saw."
At least up until the end. Lex knows it's unfair to hold the desire to live at any cost against Annie, and yet...
"Acetylene torch."
And yet she can't look at Annie without seeing the Finale again. Back in the vault, loaded on painkillers, hunger sated, vision wavering from the hallucinogen that wasn't strong enough because she still remembers.
"That's for my dad's metal casting projects. Definitely not for wood."
All too vividly, she remembers. The javelins, the vambraces, the fire. The knives, Shy's eye, the fire. The blood - her blood, and her axes and her gloves and the fire. Sunk all the way into the cushions, sunk all the way into the mud, gasping. Watching. Useless.
"Too flammable."
An awkward grin reaches up the right side of her face, unsure how best to end the terse tour, but certain that Annie has no interest in a dissertation on proper dovetail technique or an in-depth look at the differences between orbital-finishing sanders and random-orbit sanders and the appropriate uses of each.
She runs a hand through her hair. Sawdust shakes loose; it always does. Her eyes land on the pile of small projects on her workbench: absent whittlings, mostly; a half-finished knife block — purple kingwood with exquisite grain — clamped and glue curing before the piece is cut down to size; striped drink coasters, chamfered and ready for another coat of tung oil; and —
"Oh, here." Lex picks up last week's distraction project and tosses it to the victor. "This is for you." The short piece is clearly shaped to resemble a finger, a hole big enough for a thumb near the knuckle and a metal tooth curving backwards from the nail. "It's olive wood." It's a bottle opener that only requires one hand to operate. "Nothing says 'Victor' like 'crippling alcoholism' so I thought you might find it handy."
Everywhere she looks sits another weapon: The copper gutter nails lying on her bench from the in-progress porch expansion, seven inches and begging to be driven through an unsuspecting throat, temple, eye socket. The table saw, capable of throwing wood hard enough to concuss or kill operators on accident — let alone thinking what the twenty-four teeth of its flat top grind blade would choose to make a meal out of, given a face pressed in its path. Drills and drivers, crowbars and chisels, awls, wrenches, rasps — hell, even the set square could do some damage slipped between the fourth and fifth ribs.
To the layperson, such a response might sound something like fear. After all, having a murderer of murderers poking through your workspace ought to make anyone nervous. Make no mistake: this isn't fear. The sentiment is closer to mild concern — specifically, mild concern that Lex's questionable grasp on impulse control might slip, that Annie might say the wrong thing, that old instincts might kick in. That she'll be hauled off to some detention center for hard labor or that her resurrection privileges will be revoked before dark.
"Lathe," she says, pointing out the larger shop fixtures. "Drill press. Router. Vise."
It's a strange worry. She and District Four-Fingers had plenty of times to trade blows when death was on the line but only ever swapped jokes. As far as other tributes went, Annie had been one of her favorites.
"Table saw."
At least up until the end. Lex knows it's unfair to hold the desire to live at any cost against Annie, and yet...
"Acetylene torch."
And yet she can't look at Annie without seeing the Finale again. Back in the vault, loaded on painkillers, hunger sated, vision wavering from the hallucinogen that wasn't strong enough because she still remembers.
"That's for my dad's metal casting projects. Definitely not for wood."
All too vividly, she remembers. The javelins, the vambraces, the fire. The knives, Shy's eye, the fire. The blood - her blood, and her axes and her gloves and the fire. Sunk all the way into the cushions, sunk all the way into the mud, gasping. Watching. Useless.
"Too flammable."
An awkward grin reaches up the right side of her face, unsure how best to end the terse tour, but certain that Annie has no interest in a dissertation on proper dovetail technique or an in-depth look at the differences between orbital-finishing sanders and random-orbit sanders and the appropriate uses of each.
She runs a hand through her hair. Sawdust shakes loose; it always does. Her eyes land on the pile of small projects on her workbench: absent whittlings, mostly; a half-finished knife block — purple kingwood with exquisite grain — clamped and glue curing before the piece is cut down to size; striped drink coasters, chamfered and ready for another coat of tung oil; and —
"Oh, here." Lex picks up last week's distraction project and tosses it to the victor. "This is for you." The short piece is clearly shaped to resemble a finger, a hole big enough for a thumb near the knuckle and a metal tooth curving backwards from the nail. "It's olive wood." It's a bottle opener that only requires one hand to operate. "Nothing says 'Victor' like 'crippling alcoholism' so I thought you might find it handy."
sleep well beast the national
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