there's so little late at night // {arbor + katelyn | day 9}
Aug 10, 2019 17:05:31 GMT -5
Post by aya on Aug 10, 2019 17:05:31 GMT -5
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you were simpler, you were lighter when we thought like little kids
like a weightless, hateless animal, beautifully oblivious before you were hid
inside a stranger you grew into as you learned to disconnect
now he hangs your mirrors separately
so one can’t show you what the other reflects
like a weightless, hateless animal, beautifully oblivious before you were hid
inside a stranger you grew into as you learned to disconnect
now he hangs your mirrors separately
so one can’t show you what the other reflects
If only he were one of those people who wakes up unshackled to reality. If he were one of those people whose first few bleary blinks serve to decide who they are and where they are and what their life must be like upon waking. There's so little he wouldn't give for a few seconds of peace each morning before the world comes rushing back in — not that he's got anything left. Uncertainty must be so full of possibilities.
Despite the daylight, he'd go back to sleep if he could. Burrowing under the pillows is enough to block out the light but nothing else. After an hour he gives up.
Cloaking himself in a throw blanket, he braves the journey to the common room. His glasses remain on his nightstand; he can't bring himself to look anyone in the eye, just as he can't bear to see the place on the couch where Cedar lounged just last week, just as he can't bear to see the faint red splotch on the end table where the marble drank in he grape juice Cedar spilled a decade ago, just as he can't bear to stare into the doorway to the dark bedroom where he'd woke his son up for the bloodbath and gave him one last hug goodbye. The spectacles would just get foggy, anyway.
The tablet says that it's the ninth day, that he's been asleep for thirty-six hours, that four tributes have died since he last looked. Two are left. One is his. He shouldn't be surprised. It's hard to say if he is. He guesses not. The other tribute is from District Eleven. Any other year and this sort of final matchup would unsettle him; he knows better than anyone the cost of refusing to fall into line, of Capitol-forsaken districts calling too much attention to themselves, of repeated odds-defying victory. Nihilistic and numb, he skips over the desperate stages and straight into acceptance.
Almost anyone. Better than almost anyone.
He pulls the throw blanket tighter, armoring himself in the impossibly soft knit fabric, concealing the full state of his dishevelment: the wrinkled shirt he'd put on two mornings ago, not bothering to correct the misaligned buttons; slacks, one leg hiked up over his knee from sleep; mismatched wool socks pulled up to different heights; no shoes. Then he slips out the door and down the stairs.
He thinks he might've pushed past someone on the way into the District Eleven suite, but it's so hard to be sure, the way his absent mind no longer feels tethered to his unfeeling body.
"I missed yesterday," he says, as though this explains everything. Maybe he will someday, but he doesn't know what to say about Cedar, and he doesn't know how to hear anything about him either. "This is..." He waves the tablet, a recap of Red burying that sabre in the chest of the girl who'd killed him playing side-by-side with a recap of Katelyn's tribute shooting her district partner in the heart. "This is bad, right?"
Maybe it isn't. Maybe there's no difference between bad things and good things. Maybe it doesn't matter either way.
Despite the daylight, he'd go back to sleep if he could. Burrowing under the pillows is enough to block out the light but nothing else. After an hour he gives up.
Cloaking himself in a throw blanket, he braves the journey to the common room. His glasses remain on his nightstand; he can't bring himself to look anyone in the eye, just as he can't bear to see the place on the couch where Cedar lounged just last week, just as he can't bear to see the faint red splotch on the end table where the marble drank in he grape juice Cedar spilled a decade ago, just as he can't bear to stare into the doorway to the dark bedroom where he'd woke his son up for the bloodbath and gave him one last hug goodbye. The spectacles would just get foggy, anyway.
The tablet says that it's the ninth day, that he's been asleep for thirty-six hours, that four tributes have died since he last looked. Two are left. One is his. He shouldn't be surprised. It's hard to say if he is. He guesses not. The other tribute is from District Eleven. Any other year and this sort of final matchup would unsettle him; he knows better than anyone the cost of refusing to fall into line, of Capitol-forsaken districts calling too much attention to themselves, of repeated odds-defying victory. Nihilistic and numb, he skips over the desperate stages and straight into acceptance.
Almost anyone. Better than almost anyone.
He pulls the throw blanket tighter, armoring himself in the impossibly soft knit fabric, concealing the full state of his dishevelment: the wrinkled shirt he'd put on two mornings ago, not bothering to correct the misaligned buttons; slacks, one leg hiked up over his knee from sleep; mismatched wool socks pulled up to different heights; no shoes. Then he slips out the door and down the stairs.
He thinks he might've pushed past someone on the way into the District Eleven suite, but it's so hard to be sure, the way his absent mind no longer feels tethered to his unfeeling body.
"I missed yesterday," he says, as though this explains everything. Maybe he will someday, but he doesn't know what to say about Cedar, and he doesn't know how to hear anything about him either. "This is..." He waves the tablet, a recap of Red burying that sabre in the chest of the girl who'd killed him playing side-by-side with a recap of Katelyn's tribute shooting her district partner in the heart. "This is bad, right?"
Maybe it isn't. Maybe there's no difference between bad things and good things. Maybe it doesn't matter either way.
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